Wednesday, July 11, 2012
A tale of two cities: my home his home
Sunday, June 10, 2012
Treasures on the Schuyllkill
Sunday, June 03, 2012
Philadelphia Bicycle Championship Memories
Tuesday, May 22, 2012
Return of the Native: Philadelphia redux
Springtime in Philly
In late April I arrived for a ten week hiatus back in my hometown, Philadelphia, Pennsylvania, USA. I moved away in November of 1988, making my home in Minneapolis, Minnesota for almost 16 years, then on to Maastricht, the Netherlands for another eight. Not exactly a gypsy - rather an urban pioneer wishing to experience life and culture, friendship and career in a wide world.
Serendipity Abounds
Reflections
Thursday, March 08, 2012
International Woman's Day

Six years ago today I was invited as a keynote speaker for the European Parliament Women's Information Network. How exciting it was to stand before the only elected officials of the European Union in Brussels, Belgium, talking about the history of this day, then delivering a lecture on achieving Mutual Gains, one of my speciality topics.
Monday, January 16, 2012
Frogs and Fresh Faces: Around and about South Florida



Saturday, January 14, 2012
Pompano Beach Green Market

Saturday, December 17, 2011
Hugo film falls flat
A review by Susan Schaefer

So the release of Martin Scorsese’s holiday blockbuster, Hugo, found me ready to be transported to the wondrous world of suspended disbelief, magic and three-dimensionality.
Even from the eye-popping opening scene, resplendent with its animated, cinematic sweep through the streets of 1931 Paris and into the heart and mechanics of the train station clone of the magnificent Gare du Nord, I sensed a mental ‘white noise’ – perhaps an overstimulation of the visual cortex that instantly interfered with the essential heart of this story. And it is story that desperately strives to touch our hearts – should touch them.

Scorsese’s Hugo does not render the true dimensionality evoked by The Invention of Hugo Cabret, the source of this film, written and illustrated by New Jersey native, Brian Selznick. While his five hundred plus page book is impossible to classify, told as it is in words with nearly three hundred pages of illustration, the illuminated epic releases the imagination by slowly and dazzlingly unfolding in true storytelling style. Scorsese kowtows to technology.
Storytelling on film is always a challenge. Who thought that Peter Jackson would be able to take Tolkien’s epic and translate just the right elements to arouse the wonder of Middle Earth? But he did. And even with various directors, the Harry Potter series shares the same critical accolades. Storytelling hinges on character development and identification. For Hugo to succeed at its most elemental level – engaging our hearts – we need all of our senses working in tandem. Although each of the film’s disparate parts are fascinating, even excellent, the film story just never gels. Wiz bang 3D effects, stunning camera work, great story line, and excellent acting simply don’t combine as one cohesive, charmed movie confection. Our hearts are never fully engaged.
As is proper for a fable released at a season known for productions of redemption, such as A Christmas Carol, Miracle on 34th Street, or the ever popular, It’s a Wonderful Life, Hugo simply doesn’t evoke the requisite passion. Instead of magic Hugo verges on maudlin.
It is hard to pinpoint what renders the film so flat – filled as it is with such revolutionary visual effects, and themes of love and friendship between individuals and across generations, redemption, purpose, and a tantalizing fascination with the history of film. But Hugo remains a clever special effects film populated by “A” list actors and interesting historical references.
In another childhood classic tale, Pinocchio, the little woodenheaded puppet is touched by Blue Fairy’s star-tipped wand and turned into a real boy. In Hugo, the “real” boy is touched by Martin Scorsese’s wand and rendered as much an automaton as his mechanical movie friend. Ironically, a key to this tale is a heart shaped key and the connections it unlocks. Scorsese needed a better locksmith for Hugo.
Tuesday, December 06, 2011
Bob Ingram’s Visit: A former husband is an enduring friend







Friday found us at the Boca Art Museum and an exhibit of Federico Uribe. Wild creativity. For this exhibition, Uribe constructed most of his works from shoe laces, and various Puma sneaker parts, from insoles to soles to grommets.




Saturday, November 19, 2011
Remembering Mickey Specter Farley

Tuesday, November 08, 2011
Hilary Hahn: A feast for the senses

Monday, September 12, 2011
Maastricht Revisited4:Visiting vs. vacation
Visiting friends implies being present with them – having intent to connect, converse and hopefully deepen relations. My relationships are oxygen – my lifeblood, my center.
Moving into my third and fourth weeks here the theme for me is truly about connecting and deepening.
A few things have become apparent to me during this return trip. Surely they may have already been apparent to my many friends and family earlier. Martijn’s illness caused a major disruption in the very fabric of my soul that shattered everything and left me only enough presence to dedicate myself to him during his final months.
My European relationships were so critical to my day-to-day healing. I cocooned here in Maastricht. My family and friends here allowed stark authenticity in my grief. I now see how comfortable and valuable these relationships are.
And the place itself – Maastricht. Magical, medieval Maastricht. Where the bones of Martijn’s body lie peacefully under a verdant, Zen-like, even whimsical grave. My name and photo are linked on that reverent site. I am linked to this place as much, or more than to my other homes. And this trip has sealed that consciousness.


















